Trauma Narratives and Theory: A Pathfinder

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Trauma: "An overwhelming experience of sudden or catastrophic events in which the response to the event occurs in the often delayed, uncontrolled, repetitive appearance of hallucinations and other intrusive phenomenon"--Cathy Caruth, Unclaimed Experience (11)


Introduction and Scope | Locating Primary Documents | Trauma Theory Literary Criticism | Psychology of Trauma


Introduction and Scope

The concept of trauma started generating interest in scholarly discourse in the early 1980's when psychologists first began referring to the illness that they were witnessing in Vietnam veterans as post-traumatic stress disorder. By the1990's, trauma had started to cross disciplinary lines, entering the work of literary and cultural theorists (e.g. Cathy Caruth, Shoshana Felman, Kali Tal, Dominick LaCapra, Geoffrey Hartman, Ruth Leys). Blending knowledge from the psychological sciences with the psychoanalytic theory of Jacques Lacan, these scholars started excavating narratives of war, torture, rape, genocide, natural disaster, death, love, addiction, and abandonment, and presenting them as cultural evidence (and constant re-enactments) of both individual and collective trauma.

In recent years, trauma has become a national obsession. War, terrorism, and natural disaster has brought pain and suffering into the media limelight, fueling cultural expressions that engage in public outpourings of hyper-emotionality. This trend is lending a certain vogue to the post-Lacanian crowd and effectively dusting off psychoanalytic criticism, one of the oldest forms of literary critique that is still in use. Thus we see numerous graduate/undergraduate courses and MLA panel talks on topics such as: trauma and memory, collective trauma and national identity, post-colonial trauma (slave narratives), rape (gender studies/body folklore), holocaust literature, etc. Ultimately, trauma is a very interdisciplinary and engaging topic that won't be losing interest any time soon.

This pathfinder is meant for graduate students and other scholars who wish to contribute to the field of trauma theory and criticism and/or develop or enhance an undergraduate syllabus on this topic. The amount of literature containing traumatic plots and motifs is immense and even hard to define at times. Consequently, I have had to be a little creative in bringing together some seemingly disparate sources.


Locating Primary Documents

Electronic Resources:

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Print Bibliographies:

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Recent Events:
In the past, information about traumatic events could mostly be seen only through the lens of traditional, corporate-owned media. However, internet technology now enables speedy access to non-profit journalism and first-hand accounts from people who have directly experienced recent traumatic events. Each of the websites below archives the stories of real victims/survivors.

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Trauma Theory: Some Seminal Texts*

*The above criticism requires advanced knowledge of literary and cultural theory, especially Lacanian psychoanalysis and deconstruction. The following might be of some help in clarifying the theoretical background:

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Recent Literary Criticism

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Psychology of Trauma

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A note on works consulted/methodology:

Most of my references to literary theory can be attributed to the syllabus and class lectures from Patricia Ingham's Fall 2005 course "Romancing Troy: Trauma, Sacrifice, and History in Medieval English Literature" at Indiana University. Much of the cultural analysis within and inspiration for this pathfinder springs from creative ruminations that partially spawned from participation in this course as well as attendance at Aranye Fradenburg's lecture in November 2005 at IU entitled "(Dis)continuities."

The rest of my sources were found by conducting Boolean searches via IUCAT and Google.com.


Created by Kathleen Burlingame
School of Library and Information Science, Indiana University
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Last Updated: February 28, 2005